For the last couple months, I've been up to my eyeballs in editing, sound, VFX, and other random bits and pieces -- and now, it looks like it may just be nearing a close.
Now, let the record show that I'm definitely not the most organized person in the world.
In times past, I've been guilty of hastily labeling miscellaneous audio with such unintelligible monikers as:
"HorrorWSH For the Wldrness"
And my hands-down, no contest, all-time favorite:
Yes, I've actually named an important bit of foley, "Randomsound 1."
But lately, I've been trying very hard to be more organized.
I've watched tutorials on all the different things I didn't know about working in Premiere Pro (and took notes, except the notes were chicken scratch and stupid... but hey, wudda'yagonnado?).
I took the proper steps toward streamlining my workflow -- which up till this past year just looked like this:
Now, I know what you're thinking: He did all that and now he's cranking out films like a pro.
Well, let's just see what you think of what my timeline looks like right now.
WOW! Check that out. Look at all that organizational insanity! Good thing I watched all those tutorials.
But really, despite how it looks, that's actually a rather decently laid out timeline. I've got all my adjustment layers in pink, sound fx are green, ambiance red, and music blue. I've also color coded my video clips to tell me what is raw, what's been finished in AE, and what needs to be reworked for timing issues.
Oh my GAWD, it's soooooo organized!
(This gif cracks me up every time.)
Anyway, I've been very busy recording foley and trying to get a good mix.
As usual, I could only afford to rent professional equipment for a few days, so I tried to get as much good location audio as I could. Unfortunately, as is the case with most wild takes, there were very few that I could actually use, so I've resorted to doing foley in my bedroom with my Tascam's built-in stereo mic.
And of course, trying to get clean sound using non-directional mics while living in the city -- that's a bad combo.
So my process for literally every clip (and unlike most "millennials" I do use literally when it's called for) has been to record, then drop into Audacity to boost gain, remove noise, and EQ. Then export uncompressed and mix in Premiere.
Of course, there's probably an easier way to deal with such big loads of audio -- probably a method involving Adobe Audition -- but I don't know how to use that program as of yet. Hopefully, when I'm finished with this production, I'll use some of my downtime to learn more programs.
So keep your eyes peeled for the new short. As it looks right now, I'll probably have it up in the next couple weeks (barring any issues or festival problems).